You can play mind blowing augmented reality games where the real world is your game world. You can instantly capture 3D models of objects and people for import into CAD and for 3D printing. This means you can capture 3D maps of indoor spaces and have every measurement in your pocket. With the Structure Sensor attached to your mobile device, you can walk around the world and instantly capture it in a digital form. The Structure Sensor gives mobile devices the ability to capture and understand the world in three dimensions. The focus on this piece, however, is to bring attention to examples that point to some of the artistic possibilities for these emerging technologies.Ī Kinect-like 3D sensor for mobile devices (which, incidently, successfully reached its Kickstarter target in a day):Ĭapture models of rooms, 3D scan objects, play augmented reality games, and develop mobile applications with 3D sensing. Will the Facebooks or Flickrs support this new format? Or will another contender arise to facilitate a new process of creative self-identification?Īdmittedly, the field of computational photography has grown tremendously over the past ten years (and many academic projects in this time are nowhere near mass-market availability) it would be impossible to cover the entire range of projects in a single submission. It is not only industry-class endeavours that will change, as depth-sensing is now smaller and portable, and could give the (word-of-the-year contender) selfie an added dimension. The image can be seen from any angle, from the swipe of a touchscreen or drag from a mouse, or explored step-by-step with a headset and motion detector. From advertising to fashion, art to pornography, the photograph will not be "flat" anymore. Of course, the artistic possibilities are tremendous, but the implications are far greater for many fields which may be struggling with their digital upkeep. There are, however, new possibilities opening up around the next generation of mediated experiences. The Black Mirror-like ability to capture a moment and share it on social networks has shifted image recording from the creation of discrete analog mementos to an ongoing process of self-identification. The digital eye is an ubiquitous feature of current portable technology-webcams, DSLRs, mobile phones, tablets, even MP3 players.
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